![]() ![]() “digital”) systems as soon the frequency of a signal exceeds the Nyquist rate (half the sample-rate). ![]() it needs to know about the values between samples as well).Īnother huge problem in digital dynamics control is a phenomenon called aliasing or Moiré images. However, if one wants to control the amplitude of music accurately, it is absolutely essential to know the actual waveform (i.e. The true analogue signal is only reconstructed by the anti-alias filter inside the D/A converter. It is a very economic, intermediate format. Without delving too deep into the mathematics, it is essential to understand that the data stored in audio-files is not the actual analogue audio signal. “stepped”) nature of digital signal storage. The most significant restrictions are due to the discrete (i.e. A whole array of problems makes it very difficult to build a truly effective and musically attractive compressor in the digital domain. processing not interrupted)Ĭontrolling the dynamic range of an audio signal in the digital domain is not as easy as it looks. Latency compensated parallel bypass (i.e.Delta preview mode to preview the difference between compressed and original signal.Advanced stereo linking options optimized for the stereo bus.Control scheme based on “Crest factor”, offering independent release controls for peak and RMS events.Super fast, yet natural sounding compression.“Delta” oversampled signal path (bit transparent at 0dB gain reduction).Multi-rate processing structure for highest accuracy.64bit floating point precision for all relevant calculations.The concept is a proud digital processor, it is the original! Kotelnikov does not try to emulate any previously available device. As such, it is perfectly suited to stereo bus compression as well as other critical applications. With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms. Simply download the installer from the product page and add it to your digital audio workstation of choice.TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. Unfortunately, that compressor will only work in 32-bit VST plugin hosts on Windows.Īs for the DCAM FreeComp plugin, it is compatible with all major platforms. Another great tool for bus compression is the Density plugin by Variety Of Sound (especially the recently released mkIII version). Thanks to DCAM FreeComp’s subtle analog flavor and intuitive control scheme, it can quickly become one of the most popular freeware compressor VST plugins around. ![]() It’s great to see a freeware plugin take advantage of those algorithms. I have only heard good things about FXpansion’s DCAM circuit-modeling technology. DCAM FreeComp is a realistic model of a classic console bus compressor design, designed to gel subgroups and entire mixes together while enhancing punch and definition. Here is how the developers at FXpansion describe DCAM FreeComp:įXpansion is proud to present DCAM FreeComp, a free circuit-modelled compression plugin in VST, AU or RTAS formats. See also: Best FREE Compressor VST Plugins The plugin works especially well for subtle compression of a stereo bus or the master channel. It mimics the dynamic range reduction characteristics of vintage console compressors. FXpansion has released DCAM FreeComp, a freeware circuit-modeled bus compressor in VST, AU, and RTAS plugin formats for compatible digital audio workstations.ĭCAM FreeComp is an analog-style compressor VST plugin. ![]()
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